Faced with some recent difficulty, Wally evaluates a thing he leans upon to bring comfort and optimism. Catharsis comes through the lens of an affordable, available Campbeltown sparkler.

Calder returns with tales of Japanese exploration and an attempt to understand why a land of balance and harmony is so struck by Springbank, as he reviews last year's Palo Cortado 10yo.

The ever-thoughtful Gilbert left one of these on a shelf, mindful of the greater enjoyment, only to regret it as this Little Brown Dog Campbeltown super-collab slowly disappears.

After a sublime whisky-fuelled tasting event hosted by J&A Mitchell in Paris, Ainsley is inspired to crack open his smoky Kilkerran and usher in cooler evenings. Nice insider info here.

Changing times, changing tastes. Dougie re-reviews a bargain banger Glen Scotia Festival edition a mere two years after the first time. He's shocked to realise how much he's changed.

Held up as an example in how to do things right, Ainsley reviews a Hazelburn 10 while sending an open letter to Ardbeg all about how they're doing it wrong. Very wrong.

Drummond finds something of an excellent teleporter in this Glen Scotia 15yo, which takes him all the way back to Campbeltown. He teleports in Broddy and Dougie to share a dram too.

Feeling very grateful that he was able to find stock of Kilkerran’s latest 8yo Cask Strength, Earie celebrates the many retailers that choose to stick to MSRP, and what that actually means.

The Dougie Crystal Blend. A meticulous, carefully crafted plan to create the best possible blend, was quickly tossed out the window as the giddiness of eight cask strength bangers took hold.

Dramface: Who’d you like to collab with on the Longrow: Broddy, Nick, Ogilvie, Tyree, Aengus or Calder?
Eallair: “Yes”.
An epic Dramface collective review on an iconic bottle.

Tyree returns. We cracked his sarcophagus, dusted him down and set him upon some Campbeltown bottles that were awaiting his attention. As usual, no punches are pulled.

Prepare for a dose of FOMO as Wally waxes lyrical about another banger from Glengyle’s Kilkerran. He says, despite all the defiance and fighting to get there - they’ve released their best yet.

As the 2024 Campbeltown Malts Festival 2024 draws near, Ramsay and Drummond buddy up for a popular modern malt, fairly priced and tasty, they celebrate ‘the good old days’ of right now.

Swinging in with a quick sequel and an expensive trophy, Nick is so impressed with this batch of Springbank’s 12yo that he’s already (almost) forgotten just how much he handed over for the privilege.

For those of us living in the wider Scotch Whisky diaspora, we often must experience Campbeltown’s mythical spirits vicariously through others. In Ogilvie’s latest, he tracks down two of the Wee Toon’s Blended Malts in this side by side comparison.

Knowing it’s pretty difficult to get a Springbank Local Barley, Wally goes ahead with a review anyway; to share his theories, but also just to say thanks.

When we love whisky so much, it’s hard to be brutal about some of the obvious negatives. Yet sometimes, when things are clearly wrong, we just have to call it out. This decision was not taken lightly.

Less of a collab; more of a dual review - featuring Fletcher’s debut and seasoned support from Drummond, both enjoying being able to actually celebrate a festival release. How weird!

Dramface takes on a six bottle outturn from Watt Whisky, it’s a team effort. Two single malts, a blended malt, a blend, a single grain and a curious Bas Armagnac. No wonder the images are blurry.

Reflecting on the recent OSWA nominations, Earie argues that, just because something is obvious, shouldn’t mean it’s discounted. He posits that this, the Springbank 10yo, is a benchmark.